
Tags: Art, Design, Londondesignfestival, LDF, Polish, Cultural, Institute

At the heart of the Madejski Garden at the Victoria & Albert Museum, South Kensington, Alicja Patanowska presents her latest work 'The Ripple Effect'. Two thousand tiles, each conceived and formed on the potter's wheel by the artist's hand form a flowing, field-like plateau that materialise as a seating and material experiment installation, complete with a functioning fountain guiding water into the central pond. Newly commissioned by the V&A and supported by the Adam Mickiewicz Institute and the Polish Cultural Institute, the work is part of the UK/Poland Season 2025.
Created by incorporating industrial waste into the ceramic body, 'The Ripple Effect' reflects on how every act of natural resource extraction carries environmental and social consequences – and how each of us, as individual consumers, through our choices influences the shape the wave will take. Inspired by Poland's Żelazny Most reservoir, the installation reflects the copper mining yield of just 0.4%. This ratio is illustrated in the installation, with only eight copper coloured tiles scattered amongst the 2000 blue tiles.
By combining craft-based material experimentation with reflections on the climate crisis Patanowska points to the potential of craft as a strategy rooted in attentiveness, respect for materials, and in building relationships based on care and responsibility.
The unique blue shade emerged by adding waste material directly into the clay, revealing the potential of re-use and giving the substance new life as ceramics. This recycling process, in which waste becomes part of a new ceramic mass, draws on long traditions of working with material – repairing, mending and re-using. Water – present in the installation and symbolically evoked through the colour of the tiles – appears as a sign of life and strength animating matter, yet also as an element polluted and even stolen by industry. On Earth its quantity is finite, circulating in an endless cycle, always returning, just like the consequences of our consumer, social and political choices. The work echoes William Morris's belief in craft to build social bonds and ethical meaning.
The entire installation is encircled by a delicate copper ribbon, barely visible along the edges of the tiles, pointing to the value of both new and recycled material, whose circulation – like that of water – require care and consideration.
“Companies produce what we buy,” says Patanowska. “I encourage people to see resources as treasures—precious gifts of nature, as craft has done for centuries. Let us think of the world as one living organism. Our consumer choices shape this organism and carry lasting environmental consequences. I speak not from fear, but from awareness, attentiveness, and tenderness. We are all connected—to the Earth and to one another'
Each small tile, hand-made with care, carries a sense of material value. The main plateau of the installation, measuring 6 × 7 metres, has an organic shape and two zones: an upper, almost level section reminiscent of a bench, inviting visitors to sit, lie down or touch the tiles; and a lower section, gently sloping towards the water, over which the fountain continuously flows, directing its stream into the central pond.
Every tile is incised with a linear wave-like pattern that invites touch and interaction. They are formed from cylinders thrown on the potter's wheel, which Patanowska then stretches, cuts and places into moulds, preserving with virtuosity the rhythm created during the throwing process. The wave-like grooves are imprints of her fingers left in the clay, underscoring both the human scale of handwork and the bodily dimension of making.
The Ripple Effect was commissioned by V&A Contemporary Programme Curator Carrie Chan and will be on view in the Madejski Garden, V&A South Kensington from Saturday 13 September until the end of Frieze Art Fair (20 October 2025).
“We are thrilled to collaborate with Alicja as part of our programme of projects exploring design's response to crises and urgent issues,” says Carrie Chan, V&A, 'Alicja's work poetically embodies her care towards matter, nature and water. The Ripple Effect invites visitors to pause and reflect on the consequence, poignantly engaging with the material waste and reimagining its future'.
The Ripple Effect is part of the UK/Poland Season 2025, a diverse programme of over 100 multi-artform events in 40 cities in both countries
“Strengthening British - Polish creative collaboration lies at the heart of the Polish Cultural Institute's mission and the UK-Poland Creative Season 2025,” says Paulina Latham, Head of Visual Arts and Music at the Polish Cultural Institute in London. “We are delighted to work with Alicja Patanowska, the V&A, the British Council, and the Adam Mickiewicz Institute on The Ripple Effect – it perfectly illustrates how great things can happen when people come together”.
On Friday 19 September, during V&A Friday Late, Alicja Patanowska will guide a 5Rhythms movement meditation around The Ripple Effect—a chance to explore our connection to Earth and water through the body, as a craft (6:00pm, Madejski Garden, V&A). In addition, workshops will be accompanying the installation.
Patanowska's 'Plantation' installation will also be open this LDF located at The Urban Famer in London's Fleet Street Quarter - a series of 200 hand-made porcelain elements growing plants, herbs and vegetables using hydroponics and repurposed drink glasses. On display since November 2024 visitors can observe the growing live artwork as a quiet act of care and transformation.
As part of the UK/Poland Season 2025, 'The Ripple Effect' installation is co-organised by the Adam Mickiewicz Institute, British Council and Polish Cultural Institute in London and supported by the Ministry of Culture and National Heritage, and the Ministry of Foreign Affairs in Poland and celebrates the shared values of innovation, creativity and cultural dialogue.
● Opening hours - Daily: 10.00 – 17.45 | Friday: 10.00 – 22.00 | Free to attend
● Saturday, 13 September – Sunday, 19 October 2025
● Friday Late '5 Rhythm Session' by Alicja Patanowska - Madejski Gardens, 6pm Friday 19 September Free to attend
● Location - V&A South Kensington, Cromwell Road,London, SW7 2RL
Links ● Alicija Patanowska – The Ripple Effect - Display at V&A South Kensington · V&A ● London Design Festival — Alicija Patanowska – The Ripple Effect
Please find Images here: PRESS PACK
Photo credit: J.Celej/IAM
//END/
--
For high-resolution images, interviews, or further information, please contact Informare PR & Communications | Caroline Knight - caroline@informare.co.uk.
NOTES
Alicja Patanowska
Alicja Patanowska is a visual artist and designer based in Poznań, Poland. Trained as a potter and holding a doctorate in the arts, she creates research-driven ceramic installations exploring ecology, material transformation, and care. Knowledge acquired in direct contact with clay is crucial for her practice, which often questions human-centred perspectives in relation to the world. Her works are held in the collections of the National Museum in Kraków, the Hotel Europejski Art Collection in Warsaw, and the Shanghai Museum of Glass, among others. She is the recipient of awards including the Mazda Design Award (2018) and the British Glass Biennale Award (2015). In 2023, her installation We Are the Weather was presented at the Council of the European Union in Brussels. Her work has also been shown internationally in the United Kingdom, Korea, China, Brazil, and across Europe. Website www.patanowska.com | Instagram: @alicjapatanowska | Brussels project: We Are the Weather
The UK/Poland Season 2025
The UK/Poland Season 2025 is a diverse programme of over 100 multi-artform events in 40 cities in both countries. The Season will invigorate the UK-Poland cultural dialogue in addressing global challenges and will open new opportunities for cultural leaders and the next generation of artists.
List of events this Autumn as part of the UK/Poland Season 2025 · Alicja Patanowska presents'The Ripple Effect' at the in V&A opening Saturday 13.09.25 –19.10 2025 · Polish Posters Now! Polski Plakat Dziś! at the V&A Saturday 13.09.2025 –19.10.2025 · Noti at Material Matters at Space House, London 17–20.09.2025 · 'Curated Connections Chapter 2 – Second Skin' at Mint Gallery presenting Formsophy, Mark Bimer, Alexander Onish and Kaska Harasym · Elusive Sense, On the Fluid Boundaries of Perception, new media exhibition, art' otel Hoxton Saturday 20 Sept 18:00—23:00 · Whispers by Oskar Zieta at the Fleet Street Quarter · Echo One Whispers by Oskar Zieta a NLA, 29.05.2025 - 28.09.2025 · Curated Connections – Chapter 1 – Living in Colours' featuring UAU Project, Agnieszka Bar, Malwina Konopacka and Zieta Studio - Moroso Flagship Store · Plantation Installation by Alicja Patanowska, Urban Farmer Project at the Fleet Street Quarter.
· 'Radical Hope' Exhibition of works from Collection II of the Galeria Arsenał, Białystok (Golden Thread Gallery, Belfast) 13.9 – 8.11.25 'Radical Hope.'
· 'Zofia Rydet' exhibition Sociological Record', Photographers' Gallery London 10.10.25 – 22.2.26 'Zofia Rydet. Sociological Record'
· Polish Photography in Belfast Exposed Gallery, Belfast International Arts Festival (Belfast Exposed Gallery, Belfast) 2.10 – 20.12.25 Belfast Exposed Gallery,
· Exhibition 'Świadomość planetarna. Ekosystemy troski / Planetary Consciousness. Ecosystems of Care' (Modal Gallery, School of Digital Arts (SODA), Manchester Metropolitan University, Manchester) 31.10 – 28.11.25 Modal Gallery, School of Digital Arts (SODA), Manchester Metropolitan University, Manchester
Polish Cultural Institute in London
The Institute focus lies in promoting Polish culture and heritage to the British audiences, as well as developing collaborations and building bridges between key cultural or academic institutions in Poland and the UK. Through nurturing these relationships, providing access to essential cultural resources and
supporting through funding, PCI London can successfully showcase the best of Polish art, film, theatre, music, literature, science, and heritage to culturally diverse residents of the UK. Website www.instytutpolski.pl | Instagran @polish_culture
The Adam Mickiewicz Institute (IAM)
The Adam Mickiewicz Institute (IAM) brings Polish culture to people around the world. As a state institution, it creates lasting interest in Polish culture and art through strengthening the presence of Polish artists on the global stage. It initiates innovative projects, supports international cooperation and cultural exchange, as well as promotes the work of both established and emerging artists, showcasing the diversity and richness of Polish culture. IAM also runs the Culture.pl portal, a comprehensive source of knowledge about Polish culture. Website Adam Mickiewicz Institute
Plantation at The Urban Farmer by Alicja Patanowska
At Plantation Patanowska presents 200 vessels displayed across shelves where visitors can observe them growing as a live artwork over the exhibition duration. Plantation is part of the Urban Farmer Project, an initiative by the Fleet Street Quarter delivered in partnership with Landsec and London Community Kitchen, with support from Square Mile Farms.
The Ripple Effect - Project team:
Alicja Patanowska team Architect: Agata Woźniczka
Lead producer: Marcin Baranowski
V&A South Kensington Curator: Carrie Chan (@carriechan_net) Lead producers: Catriona Macdonald (@musebloom) and Adonis Fuyana (@sayadonis)
Adam Mickiewicz Institute
Lead producer: Agnieszka Rudzińska
Communication: Joanna Andruszko, Klaudia Gniady